I will be
giving two papers at the 2015 SBL Annual Meeting in Atlanta. Here are the
abstracts.
For the Book History and Biblical Literatures Consultation:
Thus, seeing scholarly practices basically as social and cultural practices where technology and media culture play decisive parts, this paper will pose three questions. First, (how) is it likely that the increased visual presence of manuscripts online will change editing practices? Second, how will the increased availability and the visual presence of manuscripts online change scholarship on ancient texts? And third, what new and different studies may result from this innovation in digital humanities?
For the Book History and Biblical Literatures Consultation:
Do
paratexts matter? Transmission, re-identification, and New Philology
The last decade has seen a rapidly growing
interest in the reception of (biblical) writings and the transformative impact
transmission processes might have on the textual contents of these writings.
Thus, micro and macro level changes of narrative contents, as well as the
scribal and reader practices that produced them are finally receiving the
attention they deserve.
This paper will address another, related,
aspect of the transformation that might take place when writings circulate
which has still not attracted the same level of interest: circulation of
writings not only leads to changes in textual contents, transmission processes
may also lead to a re-identification of the writings themselves. In other
words, narrative contents are not the only thing that changes – cultural perceptions
of what a given text unit is may change too. Traces of these transformations
are still available to us in the form of paratextual features in extant
manuscripts.
Inspired by the perspective of New
Philology, and in order to discuss the relevance of studying paratextual
features, I will explore the Syriac transmission of the so-called Epistle of
Baruch. This epistle is known to most scholars as the final 10 chapters of 2
Baruch. 47 Syriac manuscripts contain a copy (complete or excerpted parts) of
this epistle, and with one exception (a single Arabic codex), the Syriac
tradition is to my knowledge the only manuscript tradition that preserves it. In contemporary
scholarship these manuscript copies of the epistle are commonly applied as
'text witnesses' to the epistle attached to the apocalypse in 2 Baruch.
However, a closer study of titles and postscript titles, as well as the
location and contextualization of the epistle in Syriac codices show that while
the textual contents of the epistle remains relatively stable, 46 of these 47 manuscripts
identify the epistle with a different title, associate it with a different
biblical figure, locate it in a different context of text units than the
context of 2 Baruch, and suggest other contexts of cultural usages than the
apocalypse. Is the epistle in these copies, then, the same or a different
composition than the epistle attached to 2 Baruch, and how does this
paratextual information challenge the default use of these copies as text
witnesses to the epistle integral to 2 Baruch?
And for the
Digital Humanities in Biblical, Early Jewish, and Christian Studies
Consultation:
Digitization and manuscripts as visual objects:
reflections from a media studies perspective
During the last decade,
libraries and collections worldwide have digitized their manuscript collections,
making photos of manuscripts available for scholars online. Due to this ongoing
digitization of manuscripts, and assisted by a constant sharing of images of
manuscripts in various online (social) media, scholars in the relevant academic
fields are now regularly exposed to, and are becoming familiar with,
manuscripts as visual objects. Hence, manuscripts, which were formerly
seldom seen, being engaged with only by the few, are now increasingly
visually available - they are only “a click away”. Due
to the ongoing digitization, thus, manuscripts are now accessible for new and
broader groups of scholars.
In this proposed paper,
I will engage theoretical perspectives from Media Studies in a discussion of
the hypothetical effects of the digitization of manuscripts. I will see the
resulting transformation of the representation of the manuscripts as an
important media shift and ask how this shift in media technology and format
will affect the ways scholars engage with their source material. As has been
pointed out at several occasions in the fields of Sociology of Knowledge and
Media Studies, change in technical media will typically change the perception,
communication, and social practices surrounding the mediated object.
Thus, seeing scholarly practices basically as social and cultural practices where technology and media culture play decisive parts, this paper will pose three questions. First, (how) is it likely that the increased visual presence of manuscripts online will change editing practices? Second, how will the increased availability and the visual presence of manuscripts online change scholarship on ancient texts? And third, what new and different studies may result from this innovation in digital humanities?